Showing posts with label branding. Show all posts
Showing posts with label branding. Show all posts

Wednesday, 5 November 2008

The Importance of Colour Within Branding.

After a recent branding exercise which involved extensive research into colour (in which the brand's main direction was taken) I came across some interesting information regarding colour and its importance and power within a brand and in general.
Firstly some statistics summarised from the Branding Strategy Insider, which cited some very interesting facts regarding colour.

1. Colour increases brand recognition by up to 80%.

2. Colour can improve readership by 40%.

3. Ads in colour are read up to 42% more often than the same ads in black and white.

4. 73% of purchasing decisions are made in-store. Therefore, catching the shopper’s eye and conveying information through the effective use of colour is essential to boosting sales.

5. Tests indicate that a black-and-white image may sustain interest for less than two-thirds of a second, whereas a colour image may hold a person’s attention for two seconds or more. Since a product has just one-twentieth of a second to catch the customer’s attention on a shelf or display, the 1+ seconds added by colour could have a significant impact on awareness and sales.

It is important to remember that while perception of colour is somewhat subjective, there are some colour effects that have universal meaning. Colours in the red area of the colour spectrum are known as 'warm' colors and include red, orange, and yellow. These warm colours evoke emotions ranging from feelings of warmth and comfort to feelings of anger and hostility.

Colours on the blue side of the spectrum are known as 'cool' colours and include blue, purple, and green. These colours are often described as calm, but can also call to mind feelings of sadness or indifference.

I found a fantastic article from entrepreneur.com with an essential guide to colour submitted by John Williams. This is an extremely good quick guide about the meanings of colour and will give you a helpful breakdown of the colour spectrum.

Blue: Cool blue is perceived as trustworthy, dependable, fiscally responsible and secure. Strongly associated with the sky and sea, blue is serene and universally well liked. Blue is an especially popular colour with financial institutions, as its message of stability inspires trust.

Red: Red activates your pituitary gland, increasing your heart rate and causing you to breathe more rapidly. This visceral response makes red aggressive, energetic, provocative and attention grabbing. Count on red to evoke a passionate response, albeit not always a favourable one. For example, red can represent danger or indebtedness.

Green: In general, green connotes health, freshness and serenity. However, green’s meaning varies with its many shades. Deeper greens are associated with wealth or prestige, while light greens are calming.

Yellow: In every society, yellow is associated with the sun. Thus, it communicates optimism, positivism, light and warmth. Certain shades seem to motivate and stimulate creative thought and energy. The eye sees bright yellows before any other colour, making them great for point-of-purchase displays.

Purple: Purple is a colour favoured by creative types. With its blend of passionate red and tranquil blue, it evokes mystery, sophistication, spirituality and royalty. Lavender evokes nostalgia and sentimentality.

Pink: Pink’s message varies by intensity. Hot pinks convey energy, youthfulness, fun and excitement and are recommended for less expensive or trendy products for women or girls. Dusty pinks appear sentimental. Lighter pinks are more romantic.

Orange: Cheerful orange evokes exuberance, fun and vitality. With the drama of red plus the cheer of yellow, orange is viewed as gregarious and often childlike. Research indicates its lighter shades appeal to an upscale market. Peach tones work well with health care, restaurants and beauty salons.

Brown: This earthy colour conveys simplicity, durability and stability. It can also elicit a negative response from consumers who relate to it as dirty. Certain shades of brown, like terracotta, can convey an upscale look. From a functional perspective, brown tends to hide dirt, making it a logical choice for some trucking and industrial companies.

Black: Black is serious, bold, powerful and classic. It creates drama and connotes sophistication. Black works well for expensive products, but can also make a product look heavy.

White: White connotes simplicity, cleanliness and purity. The human eye views white as a brilliant colour, so it immediately catches the eye in signage. White is often used with infant and health-related products.

I hope this bit of information is as helpful to you as it was to us!

Keep Creative,

James

Monday, 21 July 2008

Helvetica

"A vehicle for social conformity through consumerism"
Or universal clarity and enduring beauty for the modern business?

I was originally going to discuss SEO for websites as a follow-on from my previous blog, but as I can already sense the yawns and the mouse approaching the "next" button I decided to divert after a discussion with fellow colleagues regarding the Helvetica font. I was surprised at the passion that this simple font can evoke and therefore it had to be mentioned in our blog!

So what comes to mind when you think of Helvetica?
A vehicle for social conformity through consumerism?
Or universal clarity and enduring beauty for the modern business?

Let's start from the beginning!
Helvetica was created by Max Miedinger with Eduard Hoffmann at the Haas’sche Schriftgiesserei (Haas type foundry) of Münchenstein, Switzerland. Haas set out to design a new sans-serif typeface that could compete with Akzidenz-Grotesk in the Swiss market. Originally called Neue Haas Grotesk, it was created based on Schelter-Grotesk.
In 1960 the typeface's name was changed by Haas' German parent company Stempel to Helvetica — derived from Confoederatio Helvetica, the Latin name for Switzerland — in order to make it more marketable internationally.

Helvetica is without question a comprehensively diverse font and has undoubtedly helped shaped the landscape of twentieth century graphic design. From a branding point of view Helvetica's message is this: you are going to get to your destination on time; your plane will not crash; your money is safe in our vault; we will not break the package; the paperwork has been filled in; everything is going to be OK. Some might say that this is too safe and welcomes no creativity. But it is sans serif, there are no wiggly bits at the end of the letters. It has smooth, clean lines and an unobtrusive geometry that almost suggests it was designed not to stand out.
I would argue that if your brand is strong enough and design concepts are clear, then Helvetica would merely compliment your individual brand with clarity and enduring beauty.
After all, Helvetica is used by so many modern companies; one of the biggest corporate creative companies, Apple, use Helvetica as their standard font for leopard OSX, and few can argue they are not leaders for design within their many industries? So, really, is it all that bad!?

Lars Mueller, author of "Helvetica: Homage to a Typeface "was quoted as saying, "It has a modern attitude which lines up with the aesthetic premises of the 1950s and 60s".
And Frank Wildenberg, managing director of Linotype, the German firm that owns the font says, "It's durable. It comes from natural design forms. It doesn't have an expression of fashion. It has very clear lines and characters, it looks like a very serious typeface,"

Personally I have to agree with them. I think the font can work well in so many different forms; it is simple and beautifully formed, lending itself to many creative solutions. It is just important to use it right!

Famously, Neville Brody, for all his creativity, would not agree, and did indeed say "When people choose Helvetica they want to fit in and look normal. They use Helvetica because they want to be a member of the efficiency club. They want to be a member of modernism. They want to be a member of no personality. It also says bland, unadventurous, unambitious."

Well...
Last year was the 50th anniversary of Helvetica and in celebration the Helvetica Poster Contest was held. Take a look at our selected favourites from the competition, that we think have some personality!


Hey! and maybe go to our website imprentapronto.com to view what we do with and without Helvetica!

Keep creative,

James

Special Thanks to:
Helvetica NOW Poster Contest
BBC
AisleOne