Showing posts with label colourful. Show all posts
Showing posts with label colourful. Show all posts

Wednesday, 5 November 2008

The Importance of Colour Within Branding.

After a recent branding exercise which involved extensive research into colour (in which the brand's main direction was taken) I came across some interesting information regarding colour and its importance and power within a brand and in general.
Firstly some statistics summarised from the Branding Strategy Insider, which cited some very interesting facts regarding colour.

1. Colour increases brand recognition by up to 80%.

2. Colour can improve readership by 40%.

3. Ads in colour are read up to 42% more often than the same ads in black and white.

4. 73% of purchasing decisions are made in-store. Therefore, catching the shopper’s eye and conveying information through the effective use of colour is essential to boosting sales.

5. Tests indicate that a black-and-white image may sustain interest for less than two-thirds of a second, whereas a colour image may hold a person’s attention for two seconds or more. Since a product has just one-twentieth of a second to catch the customer’s attention on a shelf or display, the 1+ seconds added by colour could have a significant impact on awareness and sales.

It is important to remember that while perception of colour is somewhat subjective, there are some colour effects that have universal meaning. Colours in the red area of the colour spectrum are known as 'warm' colors and include red, orange, and yellow. These warm colours evoke emotions ranging from feelings of warmth and comfort to feelings of anger and hostility.

Colours on the blue side of the spectrum are known as 'cool' colours and include blue, purple, and green. These colours are often described as calm, but can also call to mind feelings of sadness or indifference.

I found a fantastic article from entrepreneur.com with an essential guide to colour submitted by John Williams. This is an extremely good quick guide about the meanings of colour and will give you a helpful breakdown of the colour spectrum.

Blue: Cool blue is perceived as trustworthy, dependable, fiscally responsible and secure. Strongly associated with the sky and sea, blue is serene and universally well liked. Blue is an especially popular colour with financial institutions, as its message of stability inspires trust.

Red: Red activates your pituitary gland, increasing your heart rate and causing you to breathe more rapidly. This visceral response makes red aggressive, energetic, provocative and attention grabbing. Count on red to evoke a passionate response, albeit not always a favourable one. For example, red can represent danger or indebtedness.

Green: In general, green connotes health, freshness and serenity. However, green’s meaning varies with its many shades. Deeper greens are associated with wealth or prestige, while light greens are calming.

Yellow: In every society, yellow is associated with the sun. Thus, it communicates optimism, positivism, light and warmth. Certain shades seem to motivate and stimulate creative thought and energy. The eye sees bright yellows before any other colour, making them great for point-of-purchase displays.

Purple: Purple is a colour favoured by creative types. With its blend of passionate red and tranquil blue, it evokes mystery, sophistication, spirituality and royalty. Lavender evokes nostalgia and sentimentality.

Pink: Pink’s message varies by intensity. Hot pinks convey energy, youthfulness, fun and excitement and are recommended for less expensive or trendy products for women or girls. Dusty pinks appear sentimental. Lighter pinks are more romantic.

Orange: Cheerful orange evokes exuberance, fun and vitality. With the drama of red plus the cheer of yellow, orange is viewed as gregarious and often childlike. Research indicates its lighter shades appeal to an upscale market. Peach tones work well with health care, restaurants and beauty salons.

Brown: This earthy colour conveys simplicity, durability and stability. It can also elicit a negative response from consumers who relate to it as dirty. Certain shades of brown, like terracotta, can convey an upscale look. From a functional perspective, brown tends to hide dirt, making it a logical choice for some trucking and industrial companies.

Black: Black is serious, bold, powerful and classic. It creates drama and connotes sophistication. Black works well for expensive products, but can also make a product look heavy.

White: White connotes simplicity, cleanliness and purity. The human eye views white as a brilliant colour, so it immediately catches the eye in signage. White is often used with infant and health-related products.

I hope this bit of information is as helpful to you as it was to us!

Keep Creative,

James

Thursday, 25 September 2008

RGB aint CMYK

It's been another busy week at IP, but we have now finally got the time to add another exciting installment to our blog!
It occurred to me the other day, how confusing colour can be! Then I came across a fantastic article that explains RGB and CMYK extremely well. So if you were ever confused about what the printer is talking about when he is huffing and puffing that you have got your artwork in RGB, not CMYK, or you don't actually quite understand what the different processes are all about, then read on!

Colour is colour, right? Wrong! Depending on your application and use, there are two main colour referencing formats you will come across: RGB and CMYK. These two colour formats are for completely different uses, but the result of the two formats is the same to our eyes.

How do you know when each is being used? How does this influence your colour printing projects? These issues and others are the point of this discussion as we delve into the finer points of colour printing.

RGB: the primary colours of light
RGB is an acronym for Red, Green and Blue: the primary colours of light. When your computer monitor or television screen reproduces images, the three primary colours are mixed together in varying shades and strengths. The important distinction here is that light, rather than ink, is used to reproduce an image. Just because a picture looks one way on a monitor or television screen does not mean that it will be reproduced accurately on paper.

CMYK: the primary colours of ink
CMYK is an acronym for Cyan, Magenta, Yellow, and Black: the primary colours of ink. When your printer reproduces images, the four primary colours of ink are mixed together in varying shades and strengths.

You are probably noticing the pattern about now, in that RGB and CMYK do the same thing but in different ways. What you have to understand is that RGB references light and CMYK is ink.

What all of this means.
You cannot print in RGB and you cannot view pictures on a monitor in CMYK. So, to answer our first question of how to know when you are using which colour format, monitors display in RGB and printers display in CMYK.

A conversion process has to take place to go from viewing pictures on a monitor to view the same pictures in print. What's more, the conversion is not always perfect or accurate. In response to the question about how this impacts colour printing: there may be differences between what you see on the monitor and what you get back from the print shop. You can compensate for this by calibrating your monitor and through printing proofs to make sure your work is translating properly.

RGB and CMYK are fundamentally different. RGB is how monitors display light. CMYK is how printers reproduce images in ink. You can make sure your colour printing turns out as expected by using a calibrated monitor and by printing proofs to check for any colour variations.

Keep creative,

James

Monday, 11 August 2008

Creative Car Park!

How many times have you finished your shopping excited about what you've bought, enjoyed your day with that warm fuzzy feeling inside and then, just as quickly as you’ve spent your last pay cheque, WHAM! you're hit with the realisation of having to navigate the car park. Your heart sinks and your blood pressure rises! No-one likes facing the poorly-lit concrete eyesore that, to add insult to injury, will drive you crazy trying to navigate through looking for the exit sign that takes you right back to where you came from!

Well, whilst I was having a similar experience last week I was talking with my friend about why no-one has really done anything about this. Surely shopping centres don't want your last experience to be this! Then my friend told me about Axel Peemoeller, who is the award-winning designer of a way-finding-system for the Eureka Tower Car Park in Melbourne, Australia (which at the time only added to my frustration!). So when I got home I had to look into this car park. And sure enough, it is fantastically creative! Well lit, bright, clear, and puts a smile on your face! I just had to add it to the blog, so take a look, sit back and enjoy!

The distorted letters on the wall can be read perfectly when standing in the right position and when you're not they look like colourful blocks of colour brightening up your day!

To view some creative solutions, don't forget to go to ImprentaPronto.com

Keep Creative,

James